"A Prairie Home Companion Trailer "
Reviews:
Charlie Rose - A Prairie Home Companion / Daniel Gilbert...
"Segment 1: Guest host Peter Travers of Rolling Stone talks to Garrison Keillor about his film adaptation of "A Prairie Home Companion". They're joined by Robert Altman who directed the film.
Segment 2: We conclude with guest host Harold Varmus, a nobel laureate who is currently President of Memorial Sloan-Kettering Cancer Center. He talks to psychologist Daniel Gilbert about his new book, "Stumbling on Happiness". "
"A gentle piffle, "A Prairie Home Companion" is the Summer's most lovely find - a movie that is easy on the ears and seemingly made of sheary, impossible gossamer that would spindle or crush under a more heavy-handed production.
The impressive cast seems to be having a whole lot of fun - Meryl Streep, Kevin Kline, Lily Tomlin, Woody Harrelson, Lindsay Lohan, LQ Jones et al all have perfunctory if labored singing voices, but it is scripter Garrison Keillor that is the thread that stitches this one together so well. The result is an infectious, genial collection of characters and occasions whose easy charms stay with the viewer days after the film finally unspools its last credit.
Although I have never heard a PHC performance before, the film plays as a tribute to the old days of radio shows and more over, a loving though chilly valentine to the radio days of old. Anyone old enough though not near an NPR station might not know the show but most certainly can hum the tune.
Keillor, he with an alien-like E.T. observation of the goings-on at the final performance of his 30+ year-old live radio show, has a wonderful announcer voice and an above average singing voice that anchors the honest, down home corn-pone credibility of the film. He is a cypher through the picture - a guy you could listen to for hours chat about his exploits, introduce faux commercials and sing a song about nothing in particular. GK has such an ethereal presence that you look at him with such amazement because a "regular" joe like he earns such a shorthand with his audience and can stand toe to toe with aplomb next to Oscar winners like Kline and Streep. It's a great, understated performance.
The movie, directed by the legendary Robert Altman, has such a light touch that it's hard to not fall easily into it's flow. It's dreamy, slight and surreal, yet sets up its universe that is vaguely of today - but what world still has an actual radio show broadcast across the nation so detailed and entertaining as this? Altman and Keillor do the amazing - they deny the audience of any cheap emotion and pathos or short cuts to pay off the scenario. As much as this movie is about the wistful honor and simple entertainment of such a radio programs that used to rule the airwaves in the 1930s through the 1950s, both writer and director refuse to pander to suspected emotional payoffs or happy endings that lesser film creators might. This is a cold, simple and honest movie about the last kick at the can of a venerable institution, and as they choreograph it: so what? Every show, as Keillor says in the film, is the last show. Big deal.
Despite it's frigid demeanor, "A Prairie Home Companion" is filled with warm, quiet moments that offers each cast member has a shining, sterling moment of performance - though none takes centre stage and overpowers or overacts. If anyone goes swinging for the balconies, its Altman regular Tomlin, who creates such a wonderful counterbalance to Streep's simple, honest Minnesotan singing sister partner that she stands as the picture's meta heart - a desperate, hardened yet proud woman backed into a career corner who doesn't know what to do after her regular job is prematurely retired by big radio business. Tomlin deserves an Oscar.
For a film that is steeped in a sentimentality that no longer exists, Altman keeps his sharpened artist eye wandering the set for the most interesting player in the room instead of mourning the sad gone before. There's no release in the movie, no eulogy for the past. "A Prairie Home Companion" is a straight-forward document of what was, not what could have been or what will be.
The director's brilliance is that his lens cares about what technical and bits of business that come to affect in the making of the final show which really tell the story - of a group of people who spend their Saturday nights singing songs, telling stories and transmitting their folksy well-wishes to an imaginary audience listening in on their bedside table radio. In the movie, Altman and Keillor let their staged audience seated in the cavernous Fitzgerald Theater in Minneapolis or those sitting in shoebox movie theater in Anywhere, USA fill in the relevance.
One of the best movies of the year. "
Related Sites:
A Prairie Home Companion.
"A sleepy section of downtown St. Paul will get a dose of Hollywood glitter in coming weeks during the shooting of "A Prairie Home Companion," the movie. The film, directed by Robert Altman and written by Garrison Keillor, is based on Keillor's extremely popular public radio show. Most of the shooting will take place where PHC is performed, The Fitzgerald Theater. ..
The movie being shot in St. Paul is good news for Minnesota's beleaguered film industry, which has had trouble attracting high budget filmmakers in recent years. Meighan McGuire, Film Liaison with the Minnesota Film and TV Board says it feels good to have Hollywood pouring money into local coffers once again.
"The film, we know, is more than $5 million and probably less than 10.".. Wikipedia
Critical Response "A Prairie Home Companion opened the 2006 South by Southwest film festival on March 10, then premiered in St. Paul, Minnesota on a briskly cold May 3, 2006 at the Fitzgerald Theater, which had projection and sound equipment specially brought in for that purpose. The film's stars arrived in ten horse-drawn carriages. Brian Williams of the NBC Nightly News anchored his newscast from neighboring Minneapolis that night so that he would be able to attend.
The general reaction to the film by critics was favorable, as it garnered an 80% "fresh" rating at Rotten Tomatoes, a site that tallies prominent reviews. Roger Ebert awarded the film four out of four stars, saying, "What a lovely film this is, so gentle and whimsical, so simple and profound."[4]
It had its detractors, however. Film critic Michael Medved gave the film one and a half stars (out of four) saying, "The entertainment value stands somewhere between thin and non-existent" and, "[it may be] the worst movie ever made that pooled the talents of four (count ‘em - four!) Oscar winners"[5]
Desson Thomson from The Washington Post came between the two, saying that while the movie had its strengths, it was weaker than it should have been, in a review headlined "Honey, You Could Ask For More" (a reference to the opening theme song of the radio show and film)[6].
Meryl Streep won the Best Supporting Actress Award from the National Society of Film Critics for her role in this and The Devil Wears Prada; Altman was also posthumously nominated for an Independent Spirit Award for Best Director..."
-Stars:
Myspace LINDSAY LOHAN NO LONGER A TEEN, FOR A PRAIRIE HOME COMPANION, from youtube.com "It was mayhem on West 57 Street in Manhattan for the premiere of A Prairie Home Companion as the throngs of paparazzi and curious onlookers eagerly awaited the arrival of the film's star Lindsay Lohan. "
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